Jhia Jackson
 
 

Artist

j.habitus

 
 
 

j.habitus is an evolving creative practice centered on the belief that life and art are not distinct. Practices are often movement-centric and emphasize process over product, teasing with the possibility of dance as conceptual art. Jhia has presented work at diverse venues such as the American Society for Bioethics and Humanities, the Salvatore Capezio Theater at Peridance, the San Francisco War Memorial. As the instigator of j.habitus, her practices are visceral explorations of topics drawn from her academic and activist work. For example, “Ms. Mary” is a solo that has been performed at The Tank, an off-broadway theater in New York City, and at the UCSF library. The work uses an interview with an African-American OB/GYN and activist who also engaged in academic training at Columbia University and UCSF and involves research into the life, work, and legacy of Miss Mary Cooley, an African-American doula who facilitated the birth of over 1400 babies in the deep south during the time of segregation. Her performative works have been described as thought-provoking, emotionally moving, physically-charged, and filled with subtle intricacies. She regularly seeks ways to actively engage with her audience, whether that is giving audiences directorial power in the moment or through her online-based happenings, such as 28 Stimulations.

 
 
Image from Of Crowns and Cages (2020), caught by Krystal Harfert

Image from Of Crowns and Cages (2020), caught by Krystal Harfert

The wonderment brings Ellis to stillness; awestruck by the discipline and inventiveness displayed in a new work exploring feminism and race by Jhia Jackson, who uses the name, j.habitus, in her art practice. Of Crowns and Cages is an interdisciplinary work in which skilled, long-form structured improvisation interjects constant surprise into the solidity of sculpture, spoken word, and set movement.
— / San Francisco Classical voice article  /
 
 
 
 
 

dancer

creating for and with

 
 
 

Jhia has worked for and with numerous artists in LA, NYC, and the SF/Bay Area over the years. From a Jewish contemporary dance company to gogo dancing to public art dance productions, her experiences have fostered her development as a diverse, multidisciplinary performer. She enjoys her project-based experiences as much as her longer commitments, such as her ongoing collaborations with Elizabeth Mulkey, as they are opportunities for her to support other artists, rethink her own work, and generally live her best life. Her interest is often piqued by projects that are thoughtful, physically/intellectually/spiritually challenging, and are interdisciplinary in their process or production. She is particularly interested in participating in a wide range of projects, from the serious to the silly to the literal to the metaphorical, as her range of performative experiences and life experiences co-create each other.

 
 
 

Gallery Images:

  • Her Veiled Reflections by Joya Powell/Movement of the People Dance Company, image by Emily Watson

  • Super Serious Post-Modern Dance Variety Hour by Louis Acquisto & Suzy Myre, image by Mark Semegen

  • Rock e Mortar by Kim Epifano/Epiphany Dance Theater, image by Robbie Sweeney

  • It’s About You by Cally Spooner, image by Liz Ligon

  • ReD zONE by Kendra Kimborough Barnes Dance Ensemble with Jennifer Johns, image by Jason Hairston

  • Something Leftover From The Last by Raissa Simpson/Push Dance Company, image by Raissa Simpson

  • Abundance Series, structured improv film collaboration with Jonathan Potter

  • Threshold by Alexandra Pirici, image by The High Line

  • Urban Bush Women Summer Leadership Institute